When Ego Distorts Under Anxiety
- Pam Givens

- Feb 19
- 1 min read
“Anxiety is the essential concomitant of creativity.", Rollo May

Creativity is rarely as calm as it appears from the outside.
To make something new is to risk exposure. It invites uncertainty, misunderstanding, and the possibility of rejection. Even experienced artists encounter this tension.
Anxiety is not evidence that something has gone wrong. It is part of the creative condition.
The question is not whether anxiety appears.
The question is how the ego responds when it does.
In its healthy form, the ego provides structure. It gives a person enough stability to remain present under pressure. It allows tension to exist without immediate reaction.
But when anxiety intensifies, the ego may begin to distort in an effort to protect itself.
Sometimes it inflates.
Certainty grows louder. Criticism feels sharper. The work becomes something to defend rather than explore. Attention can begin to matter more than inquiry.
What began as creative risk may shift subtly into performance.
At other times, the ego collapses.
Momentum slows. Doubt multiplies. Visibility feels uncomfortable. The work is withheld before it can be tested. The impulse to create becomes entangled with fear of exposure.
Both inflation and collapse are attempts to manage discomfort.
Neither sustains creative trust.
Creative life does not require eliminating anxiety.
Nor does it require eliminating the ego.
It requires an ego steady enough to hold anxiety without distorting in response.
When ego remains stable, anxiety can do its work — sharpening perception, deepening inquiry, inviting growth.
When ego distorts, anxiety either hardens into defensiveness or dissolves into retreat.
Creative life depends not on the absence of tension, but on the capacity to endure it without losing center.
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